This adventure was atypical of any Batman cartoon or movie we had seen before. More like Indiana Jones, The Spy Who Loved Me or Casablanca. Batman's world opened up. If your knowledge of Batman came from the live-action movies by Tim Burton, the TV series with Adam West or the Superfriends, you would think this was an experiment, but this did solidify Ra's as a top-tier Batman villain in a way that the comics never did. This episode, plus subsequent appearances in the series became the definitive portrayal of the character and he appeared in more comic book stories by other writers & artists in the decades that followed, including new stories written by O'Neil, like Birth of The Demon, which revealed the origin of Ra's, and Greg Rucka & Klaus Janson's Batman: Death and The Maidens. He also became one of the main villains in Christopher Nolan's trilogy of Batman films, played by Liam Neeson.
I met Dennis O'Neil at BigAppleCon in New York in 2004. I was actually surprised that there wasn't a long line of people to see him, but in retrospect, I recall that this was at a time when people thought the years when he was in charge were creatively limiting and the Bob Shreck-edited era of Batman comics was better, but tastes have changed since then. We didn't speak much beyond exchanging simple, polite dialogue: "Hi - signing books?" "Sure." "Okay...these are great. Thank you. It was nice meeting you!" I was impressed by how simple it was to get an autograph (and he didn't charge for it either), but then again, I had just 5 comics for him to sign (1 Batman, 1 Brave and The Bold, 1 DC Comics Presents, 1 The Shadow, 1 Further Adventures of Indiana Jones), though some artists are known to act as though they're handed everything & the kitchen sink, then whip out their calculator and start carrying decimals. No..."Denny", if I can call him Denny, was professional to the fingertips.
I have my own theory that prototypes of Ra's, his daughter Talia and the enigmatic demonic bubble bath known as The Lazarus Pit made a preliminary appearance in "The Secret of Waiting Graves!" - the first solo Batman tale he worked on with Neal Adams:
This one, along with "Daughter of The Demon!" are my favorites of the Batman tales he wrote. O'Neil's writing reminds me a lot of Stan Lee in that they're heavily influenced by tropes found in genre fiction, but there's an effort to achieve a sense of realism - characters talk and react to things that are happening to them the way that we know people would act in real life, a lot of the action is from a street-level, even in trips to exotic locations. The villains', supporting cast and even the city the heroes lived and operated in would be fleshed out to be less one-dimensional. Gotham City was the only fictional city/location in DC Comics that was starting to feel like a real place. Whereas Stan Lee's plotting style was inspired by soap opera, O'Neil's storytelling was inspired by a combination of his background in journalism, a casual knowledge of Pulp adventure/mystery/horror comics/magazines, and a genuine interest in theories about social issues, folklore & mythology and philosophy, particularly Zen Buddhism in The Question.
This was a prose paperback. novel that was published in 2006. It's a nice encapsulation of the 1980's comic book and works as a novelization of a "Question" movie that never happened but could work as inspiration for one.
Another prose novel - this one retells the origin of Kyle Raynor becoming a Green Lantern, but without the 1990's excess. Under O'Neil's word processor, Kyle's origin is more contemplative and metaphysical - a "vision quest".
These iconic images from his run on Green Lantern/Green Arrow with Neal Adams still resonate today:
Although he wasn't shy about writing characters with phenomenal powers, like Superman, The Shadow, Shazam and the Justice League, he was more at home crafting stories about characters who he could understand or relate to on some basic level of humanity: Batman, Green Arrow, Spider-Man, Daredevil, Iron Man, The Question, Azrael...someday, the 100+ issues Denny wrote of Azrael, Agent of The Bat will be re-evaluated, because I am convinced that Jean-Paul Valley was Denny's alter-ego, a reflection of his knowledge and thoughts on himself, of heroes & identities and the state of the world, particularly in the late-1990s.
A lot of really great Batman comics were made during the 15-year period in which he was the editor of Batman books at DC Comics...there was a consistent quality to them that we haven't seen before or after in any superhero comics before or after. When he stepped down and retired from editing, he wrote The DC Comics Guide To Writing Comics, a valuable resource when, even today, there are little or no books available specializing in the craft of writing a professional script...and it's his approach to it, really. It's literally a Magnum opus.
The book is out-of-print, but worth seeking. Within the last decade, DC has been compiling reprints of older Batman stories by various writers and artists in lavish hardcover editions under the title of Tales of The Batman/Legends of The Dark Knight. Denny's work with Neal Adams on Batman and Green Lantern/Green Arrow has been reprinted several times, his work on Spider-Man was recently collected in 2 volumes under the Marvel Masterworks line, but he has told many other Batman tales with other artists that would best be seen again in a Tales of The Batman: Dennis O'Neil series. While it's a pity that it wasn't done during his lifetime, I'm sure that's an oversight that will be corrected soon.
Dennis O'Neil, R.I.P.
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