Saturday, October 31, 2020

The Lady From The Black Lagoon: Hollywood Monsters And The Lost Legacy of Milicent Patrick by Mallory O'Meara


Creature From The Black Lagoon is a popular choice of old-fashioned Halloween monster movie viewing, as an alternative to the numerous Dracula and Frankenstein movies out there. A recent release of the DVD for Creature shows that the text on the back of the container has stopped attributing credit for the design of the creature to Bud Westmore, the then-head of Universal's makeup department. This was not always the case; older editions of the film on DVD and VHS cassettes would give credit to Westmore, though the Blu-Ray edition did not.

      The cover of the current DVD.

So...what brought about the change? There's substantial proof that Westmore was a fraud who took credit for more work than he actually did; the design of the creature was created and drawn by Milicent Patrick, a former Disney Animator - she was an assistant to Bill Tytla for the character Chernabog on the "Nightmare On Bald Mountain Sequence" in Fantasia:

   That's right - she drew this guy!

Milicent Patrick had movie star looks and could articulate her ideas clearly; Universal's marketing executives concocted the idea of having Patrick go on a promotional tour of various TV and radio stations to promote Lagoon; this rubbed Bud Westmore the wrong way. As head of the makeup department, he wanted to be the only individual credited with anything and saw this as a coup, even though Patrick is on record as working hard to downplay her own contributions, knowing quite well that Westmore was fuming. It wouldn't have mattered; Patrick was doomed - Westmore came from a family of designers with considerable clout in Hollywood; he made certain she was fired from Universal and would never find work at any other studio as a designer. Wrongful Termination lawsuits in Hollywood did not become known, or common until the early-80s, both cases involving actresses; Cindy Williams sued Paramount after she was fired from "Laverne & Shirley" because the studio would not allow for maternity leave and her schedule would've required her to work while 9 months pregnant; in the late-80s, Valerie Harper sued Lorimar Telepictures, the company her self-titled sitcom, Valerie, when she was fired from the show after asking for a pay raise. 

Could Milicent Patrick have sued Universal Studios for Wrongful Termination? I would say yes, she could, but she didn't - most likely out of fear that she would never find any work at all. Mallory O'Meara's biography of Patrick does a great job of covering the essential details of her life, but stops short of insight into what Patrick was thinking afterward. Patrick passed away over 20 years ago at an assisted living facility; after being fired, she briefly took on a career as an extra, appearing in small parts in TV series and some movies, then married a wealthy man and spent the 1960s & 1970s as a philanthropist & socialite; in the 1980s she was living in squalor - the Hollywood mansion she occupied had fallen into decay after a mudslide. Her health had also fallen into serious decline; the last decade of her life was spent marking time. She had no children and was estranged from most of her family, except for one niece, who had whatever remained of Patrick's belongings that survived, including documents. There's no mention of Patrick keeping a diary, so she remains elusive. O'Meara admitted in the afterword that she could not find any corroborating information that could explain why Patrick once described herself as "..a Bugs Bunny expert." And O'Meara then has to hazard an educated guess as to what Milicent Patrick's mindset was like by finding correlations with her own biography; the end result was that I felt like I knew O'Meara more than I knew Patrick, which reminded me of the Julia Child biopic Julie & Julia, but I don't find any fault with her conclusions. I definitely recommend this book.

If someone were to tell you, "If you're good at something, stick with it," what can you do if you've been shut out of your chosen field? Milicent Patrick's life story starts off as a success story, then becomes a tale of someone who moved on after success was fleeting, then seems to fall into entropy and isn't vindicated until after her lifetime. It's sad, but it's real life..and monsters in real life don't have to wear fangs, green makeup or prosthetic gills; they can look like Bud Westmore...
      Milicent Patrick, Pioneer, RIP

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