Showing posts with label Bill Finger. Show all posts
Showing posts with label Bill Finger. Show all posts

Monday, November 14, 2016

"The Caped Crusade: Batman and The Rise of Nerd Culture" by Glen Weldon

That is not the actual cover to Glen Weldon's Batman book. In my humble opinion, I fixed it. I made it into a cover image I wanted to see, just like when I fixed the cover to Michael Moorcock's rubbish Doctor Who novel into something I might keep on my shelf (but I didn't). Who are all those guys cosplaying as Batman? I don't know them. They're not Batman. The new cover - that depicts the Batman.

That's really the point of Weldon's book. The lean page-count is due to the lack of biographical material; the real focus is on the different incarnations of Batman thru the decades, from dark to light to dark to light to dark again snd so on. He's a resilient, nonchalant character - adept at mystery, sci-fi and fantasy stories with a simple turn of the screw. I don't think he really cracks the code as to why that is so, but he's more interested on how audience opinion can influence the lifespan of each incarnation anyway. It's this school of thought where Batman is an idea that exists within the public conciousness..as if he's bigger than comics or films or videogames...Weldon doesn't say it, but the character is recognized the same way globally as Mickey Mouse, James Bond, Sherlock Holmes, Superman, Elvis, Marilyn Monroe and Michael Jackson. He's joined that club. A lot of people don't read the comics, but they are cognizant of the existence of a character named Batman.

It's what Batman is that has the nerds debating about it, and Weldon doesn't quite ridicule those arguments, but it's hinted as very closed-minded thinking. The best depiction of a fully-realized Batman, at his most basic, is the Batman of Batman: The Animated Series. After that, you're probably just going for extremes for the sake telling new stories.

The downside to this book is that it's nothing you wouldn't learn from reading a Wikipedia article. Without biographical material to gain insight into why people who worked on Batman approached the character the way they did, it's very, "...during this run, this guy wrote Batman like this.." And another thing...I seriously doubt anyone enjoys being called a nerd. The bozos selling t-shirts and apparel in an attempt to brand "Geek" "Nerd" and "Spaz" wouldn't be caught dead feigning interest in this stuff if they couldn't make a buck. I don't buy it. It's a slam for knowing anything.

And yet, the fact that people know Batman is what's kept him from stagnating like Superman, Bond and the Mouse. Alan Moore put it best when he described Batman as a character created to appeal to children in 1939 who were reading Superman comics...Batman's longevity is astounding if you consider that he's past his "Sell-by.." date. I don't know if Weldon has seen that distinction between a  concept that can survive being branded and still have a place in contemporary fiction...maybe he'd have been hesitant to use the word "nerd" so much...or maybe he doesn't..between the lines, once you get to the end of the book, it feels like he's saying all the Batman stories that could be told have been told.

Monday, April 11, 2016

"Batman vs Superman: Dawn of Justice" ☆☆☆☆☆ (Review)

Spoilers ahead...

I  saw this movie last week and enjoyed it.

...

I am completely baffled by the intense dislike of this film by the critics. Were Marvel Studios' efforts akin to the works of Shakespeare, Poe, Faulkner, Cervantes, Fitzgerald, Salinger, Dorothy Parker and Guy De Maupassant? Is there a bias?

I didn't find this film "dark", "boring", "depressing", "overlong" or "stupid". If you've been actually reading DC's superhero comics anytime within the last 3 or 4 decades, it's very faithful to the source. But it's not the funeral dirge that it's been likened to. These characters are not comedians, nor are they TV show characters making TV series-style quips; if they did make cracks, it would be in relation to real things as they happen (for ex: the "Is she with you?" "I  thought she was with you!" bit in the film).

Maybe it's a conditioned response. This movie had a four year buildup; sixteen years if you count the initial mention of a Batman vs. Superman film pitch that would've been directed by Wolfgang Peterson - this was during a fallow period when the Batman film franchise was thought to be dead after Batman and Robin and different ideas for a revival were tossed around Hollywood, including a live-action Batman Beyond and a Batman: Year One adaptation that Frank Miller and Darren Aronovsky developed. The Superman/Batman comic book from 2003, a revival of World's Finest, was obviously launched in anticipation of this movie (a reprint of the first issue was offered as a free giveaway comic to coincide with the premiere; DC went out of there way to revise the title credit page to add Bill Finger's name, in keeping with current tradition).

So, with the long wait, who can expect good reviews from critics, podcasters and bloggers who say things like: "I got a bad feeling about the choices Warner Brothers is making with this movie", "I don't really have high hopes for this film", "Zack Snyder is the worst choice for this movie"...with that attitude, you cannot possibly be engaged, you are stuck with the idea that you are watching a disaster.

All I feel I can really say is that I liked it..and I'm glad I didn't follow the bad reviews, otherwise I would've missed out on an entertaining launch that I hope won't be derailed. Yes, it is a sequel to Man of Steel. Yes, Jimmy Olsen gets killed within the first 15 minutes.* But this film is far superior to Man of Steel. It's short on jokes about underoos and flippant references to ancient video games and doesn't rely on cheap heat by sampling pop songs. And the bonus scenes that Marvel Studios usually saves for after the credits are offered before the third act, instead (enough bonus scenes for 4 separate movies, to be speciffic). And maybe the funeral scene at the end could've been shortened by a minute (and is the act of a hand bursting through a coffin exclusive to only vampires & zombies, but not heroes? Why couldn't we see a stronger image of Superman coming back from the dead? Or am I tapping into touchy subject matter?).

You know what? This film was cool. Go see it. I had fun. The people who hated this movie can go take their reviews and wipe their asses with them. Ben Affleck is a great Batman. Henry Cavil has gotten more comfortable as Superman. Gal Godat is a fantastic Wonder Woman. Amy Adams is kind of bland as Lois, though her scenes with Cavil are good. Jesse Eisenberg's Lex Luthor may get his mannerisms and wardrobe choices from Heath Ledger's Joker, but make no mistake, beneath the affectations, this is the manipulative, Machiavellian, egocentric meglomaniac of the modern age comics, so it's very entertaining to see how the two incarnations of Luthor manage to mesh well.

Enough. Go see it.

*DC Comics had a "Jimmy Olsen Must Die!" lapel pin made available at one point; he must've grated on people over the last 77 years.