La, da, dee, da, da, da, da, daa - heaven must be missing an angel ... look what Santa left under the tree for me!
Lying on her stomach naked - with a long, long, wide red ribbon wrapped around the naughty bits - a tall, voluptuous, statuesque, red and gold highlight-haired goddess, with a perfect come over here stare, eyeing me up and down as I did likewise.
"There must be an angel playing with my heart."
She giggled. "You're sweet. But there's another song - 'Too Much of Heaven'. Do you know it?"
The voice did not go with the body - it was that of a haughty, insecure introvert, not an amazon extrovert - but it didn't turn me off. "Eiffel 65 - Europop. I used to have the album. What's your name?"
"Ghost of Christmas Present. I like to use code names, though. I'll be Number One and you can be ... Number 6. I had hoped you wouldn't mind if I unwrapped a little early, but I kept the bow on. You can keep the wrapper." She tossed a piece of cloth to me and I caught it. It was a green and purple pleather one piece, with a "13" insignia stitched along the shoulders on both sides. I recognized her.
"My reputation and representation have been as good as stale egg nog for a long time, but I feel like trying again. Want to come with me?"
"You don't need to ask."
She smiled. "Great! Wrap me up."
She stood up and instructed me to grab layers and layers of ribbon that she had laid on top of and wrap them around her body until I could tie a large, comfortable bow across her bosom. The ribbon had blocked my view. When I finished, I found we had transported to another place - a busy comic shop.
She waved her arm across the crowd in the store. "Look at this crowd. They're here for a sale - all items in the shop up to 40% off. Do you know what this is?"
"Well, 40% off a four dollar comic book is -,"
"Is sad. These people don't come here every week. The stuff is not really in high demand, the supply is low to create demand, then the store has a sneaky sales gimmick to balance the profit."
"Comic shops always had sales - like 50-cent bins. Publishers always had gimmicks, like relaunches and re numberings."
She frowned. "50-cent comics - plus tax, muddled relaunches and numbers games...Look at that."
She pointed at a comic - Red Hood and The New Outlaws. "I can't believe people fussing over this lime-eyed Oompa Loompa and her teardrop-perfect -,"
"Spirit, why are we here?"
She snapped out of her funk, but her expression did not change. "If these shadows go unchanged, I see profitable drinking pubs where many comic shops once stood."
"But...that means...this medium will...die?"
The spirit seemed distracted by a particular comic on the shelf with the new books.
"Spirit? Number One? Cait -,"
"Look, a white sketch cover variant! There wasn't time for me to have one! But I can change that! I'll do a self-portrait! That'll keep me out of the half-dollar bins for sure! I've got the confidence now! No contrived rips or tears this time! Unwrap me and wish me luck!"
I did what she asked, and no sooner did her nude form fade out and appear on that blank cover...the whole setting began to go out of focus again.
"Good luck, Caitlin."
To be continued...
"The blog I always wanted to read." - Joseph Adorno, Creator & Author of Comic Book Rehab
Friday, December 9, 2011
Wednesday, December 7, 2011
A Comic Book Rehab Carol - Part 2
I heard a light tapping on my window. I saw a gloved hand creeping along the side of it, then a full figure slowly emerge as it leaned sideways, asking me to let him in. He was wearing a bright blue suit, with a matching fedora and a domino mask over his face.
I opened the window and he climbed in.
"Thank you," he said, and removed his hat to wipe the sweat off his bald head."I never feel too old for climbing. Anyway, The Man left your address on this matchbook I scooped up."
"You're the Christmas spirit of the past?"
"Yeah, - The Christmas Spirit. How are you?"
"I'm fine. You look familiar. Have I seen you in the movies?"
He leaned forward. "You didn't see me in any movie."
"Fine. Where are we going?"
He walked to the window that had the fire escape. "Fire escapes are not my style. I prefer using my hands and feet and grabbing a hold to get where I'm going, but not when I'm a guest. We're going down - back to where it all started."
We climbed out the window and onto the fire escape, where the spirit led the way down to the ladder leading to the street. Just when it looked like we were about to climb off it, the spirit stopped me.
"Right here. This is the right spot to look in on the action."
What used to be a laundromat on the ground level had now become a store with a sign that read USED BOOKS. In that short walk I had been transported to another time and place.
I looked in on the action. a few people were lined at the register buying some old hardcovers and paperbacks. At a far corner, I could see two teenagers digging through some long boxes.
"This is the germ of the idea for the comic book store. Old copies of comic books were sold in used bookstores. This activity did not go unnoticed, as publishers were interested in new venues beyond newsstands."
"Wow! Tell me more."
"No. Less is more. Now follow me. Take this."
He instructed me to tie rope around my waist using carabiner rings as he did to his waist. We hopped off the fire escape and climbed the wall of the building two stories and stopped as comfortably as you could imagine on a window ledge. He pointed at a wide window. We were again transported to another place.
"Look. In twenty years time, comic shops are everywhere. This is the back room of one store. It's crammed with overstock."
"What happened? Nobody's buying comics?"
"They are - but not enough to match the number of copies being printed. The supply has outweighed the demand, and this store is about to be closed. Some of the stores facing this problem will survive, but only because their owners own the building."
"This is silly - you would think they would know not to buy too much of an item that's not in demand."
"Remember - comics were seen as an investment. Their ambitions and hasty decision-making was no different from yours - you all fashioned these memories yourselves."
"Wasn't there anything you could've done to change these events from happening?'
"Nah - I never faired too well in the shops. I fared better on the streets, in the papers. That bailiwick was my section."
He smiled at me and tipped his hat as he and everything around me fell out of focus...
To be continued...
I opened the window and he climbed in.
"Thank you," he said, and removed his hat to wipe the sweat off his bald head."I never feel too old for climbing. Anyway, The Man left your address on this matchbook I scooped up."
"You're the Christmas spirit of the past?"
"Yeah, - The Christmas Spirit. How are you?"
"I'm fine. You look familiar. Have I seen you in the movies?"
He leaned forward. "You didn't see me in any movie."
"Fine. Where are we going?"
He walked to the window that had the fire escape. "Fire escapes are not my style. I prefer using my hands and feet and grabbing a hold to get where I'm going, but not when I'm a guest. We're going down - back to where it all started."
We climbed out the window and onto the fire escape, where the spirit led the way down to the ladder leading to the street. Just when it looked like we were about to climb off it, the spirit stopped me.
"Right here. This is the right spot to look in on the action."
What used to be a laundromat on the ground level had now become a store with a sign that read USED BOOKS. In that short walk I had been transported to another time and place.
I looked in on the action. a few people were lined at the register buying some old hardcovers and paperbacks. At a far corner, I could see two teenagers digging through some long boxes.
"This is the germ of the idea for the comic book store. Old copies of comic books were sold in used bookstores. This activity did not go unnoticed, as publishers were interested in new venues beyond newsstands."
"Wow! Tell me more."
"No. Less is more. Now follow me. Take this."
He instructed me to tie rope around my waist using carabiner rings as he did to his waist. We hopped off the fire escape and climbed the wall of the building two stories and stopped as comfortably as you could imagine on a window ledge. He pointed at a wide window. We were again transported to another place.
"Look. In twenty years time, comic shops are everywhere. This is the back room of one store. It's crammed with overstock."
"What happened? Nobody's buying comics?"
"They are - but not enough to match the number of copies being printed. The supply has outweighed the demand, and this store is about to be closed. Some of the stores facing this problem will survive, but only because their owners own the building."
"This is silly - you would think they would know not to buy too much of an item that's not in demand."
"Remember - comics were seen as an investment. Their ambitions and hasty decision-making was no different from yours - you all fashioned these memories yourselves."
"Wasn't there anything you could've done to change these events from happening?'
"Nah - I never faired too well in the shops. I fared better on the streets, in the papers. That bailiwick was my section."
He smiled at me and tipped his hat as he and everything around me fell out of focus...
To be continued...
Monday, December 5, 2011
A Comic Book Rehab Carol - Pt. 1
It was a very unseasonably warm night in December. I had turned my home into a counting house - for counting comics. I was tweeting about how my doorbell looked like an old man wearing sunglasses. I was just about to tweet a joke about stoking the fireplace with an unread stack of Gen 13's and DV8's when I heard a clatter of chains and an eerie draft entered the livingroom. The draft had the smell of browned comic book pages and Old Spice...an apparition faded into view...
"A proton pack! A proton pack! My kingdom for a proton pack!," I howled.
"Face front and at ease, true believer."
I realized who I was looking at, or who the apparition had taken the form of - Stan. Stan "The Man". He was covered with mildewed patches labeled, "Pow", "Stan Lee Media", "The Governator", "Ravage 2009", "Stripperella", "Just Imagine", "NFL Superpro", "The 7th Portal", "Lightspeed", and "Mosaic".
"Do you remember how I looked when I was young and looked like Bea Arthur's husband on Maude?"
"Yes, I do. You know, if you were to watch that show and Jon Pertwee's Doctor Who back-to-back, you wouldn't know the difference."
"Hmmph...Odin will get you for that one, effendi."
"You think I'm hindu?"
"It's just an expression."
"Oh, sorry. Go right ahead."
"Do you remember when I presided over the wedding of Spider-Man and Mary Jane Watson at Shea Stadium and wished them a long and happy marriage?"
"Oh, yeah, sure - and when that marriage ended, you said that 'change is good' or something or other...who lives to keep track of quotes, anyway?"
"Silence!...Do you remember when I hosted Who Wants To Be A Superhero?"
"Yes,...all those poor, deluded, misguided fools..."
"That's enough! Listen - I'm here to warn you! You are doomed into wearing more patches than I! You may even end up as something much more horrendous - an Autopen!"
"What do you want me to do?"
"You will be visited tonight by three spirits. Listen to them, learn from them - or you may wind up trolling the halls of next year's Comic Con in ill-fitting karate gi and claiming to be a Jedi Knight."
"You can tear up my ticket right now."
"Oh, no, just wait...wait for them. Believe that, true believer. Believe that."
"Isn't there anything you could teach me?"
"Stay away from Brand Ecch. Excelsior!"
He faded away...
To be continued...
"A proton pack! A proton pack! My kingdom for a proton pack!," I howled.
"Face front and at ease, true believer."
I realized who I was looking at, or who the apparition had taken the form of - Stan. Stan "The Man". He was covered with mildewed patches labeled, "Pow", "Stan Lee Media", "The Governator", "Ravage 2009", "Stripperella", "Just Imagine", "NFL Superpro", "The 7th Portal", "Lightspeed", and "Mosaic".
"Do you remember how I looked when I was young and looked like Bea Arthur's husband on Maude?"
"Yes, I do. You know, if you were to watch that show and Jon Pertwee's Doctor Who back-to-back, you wouldn't know the difference."
"Hmmph...Odin will get you for that one, effendi."
"You think I'm hindu?"
"It's just an expression."
"Oh, sorry. Go right ahead."
"Do you remember when I presided over the wedding of Spider-Man and Mary Jane Watson at Shea Stadium and wished them a long and happy marriage?"
"Oh, yeah, sure - and when that marriage ended, you said that 'change is good' or something or other...who lives to keep track of quotes, anyway?"
"Silence!...Do you remember when I hosted Who Wants To Be A Superhero?"
"Yes,...all those poor, deluded, misguided fools..."
"That's enough! Listen - I'm here to warn you! You are doomed into wearing more patches than I! You may even end up as something much more horrendous - an Autopen!"
"What do you want me to do?"
"You will be visited tonight by three spirits. Listen to them, learn from them - or you may wind up trolling the halls of next year's Comic Con in ill-fitting karate gi and claiming to be a Jedi Knight."
"You can tear up my ticket right now."
"Oh, no, just wait...wait for them. Believe that, true believer. Believe that."
"Isn't there anything you could teach me?"
"Stay away from Brand Ecch. Excelsior!"
He faded away...
To be continued...
Thursday, December 1, 2011
No $#!+ Sherlock - Part. 3 of 5 - Comic Book Rehab
I finally got to see "Sherlock: The Great Game", or as I call it, "Doctor Who: The Two Doctors". Let me explain:
Cartoons produced by Hanna-Barbera are famous for capitalizing on the same idea over and over - Yogi Bear and Huckleberry Hound were their first big stars, so the following decade (this would be the 1960's) saw a large assortment of bow tie and porkpie hat-wearing anthropomorphic funny animals with similar vocal patterns. The Flintstones was their first successful half-hour length show, so they tried others, like The Jetsons and Roman Holidays. And every cartoon in the 70's was Scooby Doo in disguise - even The Superfriends! I actually thought Wally Gator was funnier than Yogi, and some people love Quick Draw McGraw over Huckleberry Hound, and some people prefer Superfriends over Scooby, and some (like Chuck Dixon) only enjoyed The Jetsons, but this goes against the grain - it's not asking whether the chicken or egg came first: we're just comparing eggs. It's like that picky shopper in the film "Clerks" who was picking a dozen eggs out of different cartons - is this madness? If we can tell the product is the same, why not move on or just stay with the one product? Why don't I find Yogi as funny as Wally?
I can answer that question easy - I don't like Ranger Smith, and the food-related storylines made the cartoon seem limiting - why would Yogi want to compete in a space race or solve mysteries in Jellystone Mall? He's just a bear who wants to snack on human food. Wally, on the other hand, was bored , and was eager to go anywhere, do anything , to break out - that speaks to anybody! Sure, the cartoons would end with Wally running back home, but after 7 minutes of "Next stop, anywhere," home is where everyone thinks of going back to.
Now... if you don't watch the BBC or BBC America, are not a fan of sci-fi and fantasy, and only surf the internet to swap recipes for rhubarb pie or see upskirt photos, than you're not reading this blog and I'm talking about Doctor Who and Sherlock Holmes, anyway. Doctor Who has had a very successful revival in the last few years - it used to known as "That British show with the worst special effects ever with the tall guy that looks like Harpo Marx with a long scarf and written by the guy that wrote The Hitchhikers Guide To The Galaxy", and there are worse ways of becoming a pop culture phenomenon. Sherlock Holmes has had a big revival on film and television, beginning in disguise (CSI, House) then in an official capacity, with Robert Downey jr. on film, and Benedict Cumberbatch on television.
I've been paying more attention to the TV version in this blog, largely because I can kill two birds with one stone - Cumberbatch's performance has fans online saying that he would make a great Doctor Who, even better/equal to current Doctor, Matt Smith. But why are they so surprised? This new show, Sherlock, was conceived and written by Stephen Moffat and Mark Gatiss - two veterans of Doctor Who. I've already mentioned in Part 1 of No $#!+ Sherlock how much the character of Holmes and the actor's performance are very in sync with modern Doctor Who productions.
And now...the finale. I got to see the third episode, which sees the introduction of a modern Professor Moriarty. Moriarty is a wild card - he only appears in flashback in one story by Sir Arthur Conan Doyle - "The Final Problem", and is referred to in "The Adventure of Empty House" and "The Valley of Fear". Like Ernst Stavro Blofeld, much of what we think we know of the character is the stuff of pop culture osmosis. Was he a 19th century mob boss? Was he a mad scientist? Did he have two brothers? Was he just a simple math teacher that slept with Sherlock's mom and inspired a series of drug-induced hallucinations thereafter? Was he Sherlock Holmes in disguise? Everyone has fun guessing, but Conan Doyle was happy to see the back of him - he only existed as an not-so-fully-realized means to an end that didn't quite work out.
Andrew Scott plays the new Moriarty, presented here as a "Consulting Killer" - you hire him for advice on how to commit a perfect murder. Not everyone knows what they wanna' be when they grow up... Sherlock has obviously been cutting into his bottom line, and he decides to send his version of a friendly warning: tips on several murders that he helped fix and the one that got him started, leading to a showdown at a an indoor pool that's a rip-off of a showdown between David Tennant and Anthony Stewart Head in the Doctor Who episode, "School Reunion". Aside from a brilliant inside joke that only British fans are likely to get (the reality show "Jim'll Fix It"), we get a "Lady or the Tiger?" cliffhanger ending - or not. I guess they wanted to end with Holmes and Moriarty taking turns at smoulder acting.
This stand-off/smoulder was the kind of thing they perfected with David Tennant on his Doctor Who and continue with Matt Smith- but here, it's with Andrew Scott and Benedict Cumberbatch. Watch a marathon of Tennant-Who episodes, then go back and watch this episode - Moriarty is clearly written as a kind of psycho Tennant. Now, watch a marathon of Matt Smith-Who episodes and repeat the same viewing steps I described. Cumberbatch's Sherlock is very Smith-ish, isn't he? Yes, you won't see the Doctor unload his revolver into the roundels of the Tardis, but the Doctor has always been viewed as a Holmesian character from the start.
Is ignorance bliss? I can still enjoy both programs (actually, I enjoyed Who because of Tennant's performance, not necessarily because I thought the show was perfect - plus, Smith's Doctor is a bit of a poser) knowing that one is taking ques from the other, but there is a sense that neither is as original as it wants to appear. And then there's the cartoons I mentioned earlier - do I need to like Yogi Bear to enjoy Wally Gator? Can I watch Wally and not acknowledge the fact that he wouldn't really exist without Yogi? I find that I can watch Yogi and wonder why he can't be as funny as Wally Gator.
You know, if it weren't for Hong Kong Phooey, The Hair Bear Bunch and the Smurfs, every Hanna Barbera cartoon in the 70's and 80's would be Scooby Doo in disguise. And I like Scrappy Doo, but that's a subject for another time...and the fact that every cartoon tried to be the Smurfs in disguise when that took off...
Which came first? The Egg? Or the other Egg?
Cartoons produced by Hanna-Barbera are famous for capitalizing on the same idea over and over - Yogi Bear and Huckleberry Hound were their first big stars, so the following decade (this would be the 1960's) saw a large assortment of bow tie and porkpie hat-wearing anthropomorphic funny animals with similar vocal patterns. The Flintstones was their first successful half-hour length show, so they tried others, like The Jetsons and Roman Holidays. And every cartoon in the 70's was Scooby Doo in disguise - even The Superfriends! I actually thought Wally Gator was funnier than Yogi, and some people love Quick Draw McGraw over Huckleberry Hound, and some people prefer Superfriends over Scooby, and some (like Chuck Dixon) only enjoyed The Jetsons, but this goes against the grain - it's not asking whether the chicken or egg came first: we're just comparing eggs. It's like that picky shopper in the film "Clerks" who was picking a dozen eggs out of different cartons - is this madness? If we can tell the product is the same, why not move on or just stay with the one product? Why don't I find Yogi as funny as Wally?
I can answer that question easy - I don't like Ranger Smith, and the food-related storylines made the cartoon seem limiting - why would Yogi want to compete in a space race or solve mysteries in Jellystone Mall? He's just a bear who wants to snack on human food. Wally, on the other hand, was bored , and was eager to go anywhere, do anything , to break out - that speaks to anybody! Sure, the cartoons would end with Wally running back home, but after 7 minutes of "Next stop, anywhere," home is where everyone thinks of going back to.
Now... if you don't watch the BBC or BBC America, are not a fan of sci-fi and fantasy, and only surf the internet to swap recipes for rhubarb pie or see upskirt photos, than you're not reading this blog and I'm talking about Doctor Who and Sherlock Holmes, anyway. Doctor Who has had a very successful revival in the last few years - it used to known as "That British show with the worst special effects ever with the tall guy that looks like Harpo Marx with a long scarf and written by the guy that wrote The Hitchhikers Guide To The Galaxy", and there are worse ways of becoming a pop culture phenomenon. Sherlock Holmes has had a big revival on film and television, beginning in disguise (CSI, House) then in an official capacity, with Robert Downey jr. on film, and Benedict Cumberbatch on television.
I've been paying more attention to the TV version in this blog, largely because I can kill two birds with one stone - Cumberbatch's performance has fans online saying that he would make a great Doctor Who, even better/equal to current Doctor, Matt Smith. But why are they so surprised? This new show, Sherlock, was conceived and written by Stephen Moffat and Mark Gatiss - two veterans of Doctor Who. I've already mentioned in Part 1 of No $#!+ Sherlock how much the character of Holmes and the actor's performance are very in sync with modern Doctor Who productions.
And now...the finale. I got to see the third episode, which sees the introduction of a modern Professor Moriarty. Moriarty is a wild card - he only appears in flashback in one story by Sir Arthur Conan Doyle - "The Final Problem", and is referred to in "The Adventure of Empty House" and "The Valley of Fear". Like Ernst Stavro Blofeld, much of what we think we know of the character is the stuff of pop culture osmosis. Was he a 19th century mob boss? Was he a mad scientist? Did he have two brothers? Was he just a simple math teacher that slept with Sherlock's mom and inspired a series of drug-induced hallucinations thereafter? Was he Sherlock Holmes in disguise? Everyone has fun guessing, but Conan Doyle was happy to see the back of him - he only existed as an not-so-fully-realized means to an end that didn't quite work out.
Andrew Scott plays the new Moriarty, presented here as a "Consulting Killer" - you hire him for advice on how to commit a perfect murder. Not everyone knows what they wanna' be when they grow up... Sherlock has obviously been cutting into his bottom line, and he decides to send his version of a friendly warning: tips on several murders that he helped fix and the one that got him started, leading to a showdown at a an indoor pool that's a rip-off of a showdown between David Tennant and Anthony Stewart Head in the Doctor Who episode, "School Reunion". Aside from a brilliant inside joke that only British fans are likely to get (the reality show "Jim'll Fix It"), we get a "Lady or the Tiger?" cliffhanger ending - or not. I guess they wanted to end with Holmes and Moriarty taking turns at smoulder acting.
This stand-off/smoulder was the kind of thing they perfected with David Tennant on his Doctor Who and continue with Matt Smith- but here, it's with Andrew Scott and Benedict Cumberbatch. Watch a marathon of Tennant-Who episodes, then go back and watch this episode - Moriarty is clearly written as a kind of psycho Tennant. Now, watch a marathon of Matt Smith-Who episodes and repeat the same viewing steps I described. Cumberbatch's Sherlock is very Smith-ish, isn't he? Yes, you won't see the Doctor unload his revolver into the roundels of the Tardis, but the Doctor has always been viewed as a Holmesian character from the start.
Is ignorance bliss? I can still enjoy both programs (actually, I enjoyed Who because of Tennant's performance, not necessarily because I thought the show was perfect - plus, Smith's Doctor is a bit of a poser) knowing that one is taking ques from the other, but there is a sense that neither is as original as it wants to appear. And then there's the cartoons I mentioned earlier - do I need to like Yogi Bear to enjoy Wally Gator? Can I watch Wally and not acknowledge the fact that he wouldn't really exist without Yogi? I find that I can watch Yogi and wonder why he can't be as funny as Wally Gator.
You know, if it weren't for Hong Kong Phooey, The Hair Bear Bunch and the Smurfs, every Hanna Barbera cartoon in the 70's and 80's would be Scooby Doo in disguise. And I like Scrappy Doo, but that's a subject for another time...and the fact that every cartoon tried to be the Smurfs in disguise when that took off...
Which came first? The Egg? Or the other Egg?
Tuesday, November 22, 2011
A Comic Book Rehab Thanksgiving - Issue #1
Ever try a Turducken? That's de-boned stuffed chicken stuffed into de-boned duck, stuffed into a de-boned turkey. I'm not so sure if it's good, or if, like the Chupacabra or Jeremy Clarkson's opinions, we're looking at a creature of myth, something in which sightings have been reported but not truly experienced. Duck meat is tough - just look at Scrooge McDuck - and despite most claims to the contrary, duck meat is not what you order when you want a briskly-paced dinner at a restaurant.
Forget about food, let's talk Comic Book Turduckens. We're talking concept turkeys that have been stuffed with other concepts - superheroes that make you think twice about even trying to read about once because they have totally unappealing and cluttered histories and seemed doomed to stink over and over - they've got their own duck meat in the middle.
Hawkman - This character has had more than one origin, more than one attempt at revamping and reconciling his origin, more than one secret identity, and more #1 issue relaunches than you would think.
First, he was Carter Hall, an archaeologist - lind of a low-rent Indiana Jones. He was in the Justice Society of the 40's and early 50's. In the 60's the concept was re-thought and replaced with Kator Hol, a space cop from the planet Thanagar, who fights crime in a winged outfit (just like Brian Blessed in Flash Gordon, but not as fun). The Winged Detective was a bit of a jerk and a social dud, but his wife was hot, and this incarnartion became the longest-lasting, if not the most entertaining of the lot. He's the one that appeared in The Superfriends, but he was on his best behavior there.
In the 80's Kator the space cop's background was sharply redefined, with Tim Truman's Hawkworld mini-series. But that story hit the big reset button and gave the character a clean slate - what to do with all that continuity from the past two-and-a-half decades? Imagine that the big bird guy in the Justice League was never there? Well, actually, they imagined that Carter Hall, the Indiana Jones Hawkman, was in the League in it's early days, and the jerk with the hot wife that was in your dad's Hawkman comics was a Thanagarian spy, leading up to the Invasion! storyline, which is as memorable as it is now forgotten by anyone under 32. In the 90's they decided to cop-out and came up with Hawkgod, an entity who was Hawkmen of all Hawkman comics/appearances - seriously, though, this only makes sense if they didn't think anyone was actually reading the comics - and who was reading superhero comics during the collectors bubble in the 90's? Maybe they thought they were on to something.
Within the last decade, we've seen Carter Hall return as a one-and-only Hawkman, and the different origins/concepts/cock-ups co-ordinated under a reincarnation gimmick that seems to settle issues of continuity with anyone still trying to read or follow his adventures - now if only he had any.
The Spectre - This character reminds me of Spawn, only he seemed to use his powers in more offbeat/interesting ways, but nobody seems to like his secret identity, Jim Corrigan, or if his adventures are too downbeat to want to read for any length, even though it seems to work for Daredevil . It doesn't help that the Spectre is now viewed as a corrupt pasasitic entity rather than a simple loveable, huggable anti-hero, if that is possible. (Kevin Levin11 in Ben10 is likeable, even if at the core he's a jerk and initially a mean sonuvabitch). The Spectre became a turducken when he became then-former Green Lantern, then-dead (they get better in comics) Hal Jordan, and later becoming Crispus Allen, a character from Batman: Gotham Central. So now they've got Green Lantern continuity and Batman continuity (and, in some ways, Spawn continuity) stuffed into a Spectre turkey. What you care to try it?
Supergirl and Power Girl - Superman's cousins became turduckens when their orgins were revamped to satisfy short-term thinking. In this case, it was that Superman (and only 1 Superman - sorry, Superboy)should be the sole survivor of the planet Krypton. Eventually, their origins were reintroduced and their status as Superman's cousins was reinstated, but it's very hard to shake off the turducken tag.
Spider-Woman - Mulitple incarnations, multiple origins (in the Jessica Drew's case, three different origins coincided with eachother and a fourth tried to make them all fit) - this is a turducken by proxy.
The Huntress - there are two incarnations of this character: one, Helena Wayne, is the daughter of Batman and Catwoman on Earth 2. The other is Helena Bertinelli, daughter of some mobster and too many Valerie Bertinelli t.v. movies. Most fans are divided on which incarnation they prefer, and despite a notable attempt to split the difference (in Batman: The Brave and The Bold, the character is seen wearing the Helena Wayne costume with the Bertinelli identity) she's an unevenly cooked turducken. I think her best moments came when she served as a Batgirl temp in the late 90s Batman comics, coinciding with Batgirl's appearances on television in The New Adventures of Batman and Superman.
The Punisher - He's been killed off, he's been brought back as a ghost, (de-boned chicken) given a change of ethnicity (he was curious {black}) killed again, appeared in three feature-length turkeys, (de-boned turkey) fought man monsters with giant boobs, made into a zombie (de-boned duck)... this turducken is still not done!
We're all lucky there is no known quantity of Tryptophan in duck meat, or we'd all drop dead. There's more, lots more, like Ghost Rider - but this isn't a personal turducken - we've all had our share of it sometime, but we don't have to try it. We can chose not to have any turduckens in comics, or at least, not sample them.
For this, I am truly thankful.
Now, excuse me while I get the popcorn, jelly beans, toast and pretzels ready...
Forget about food, let's talk Comic Book Turduckens. We're talking concept turkeys that have been stuffed with other concepts - superheroes that make you think twice about even trying to read about once because they have totally unappealing and cluttered histories and seemed doomed to stink over and over - they've got their own duck meat in the middle.
Hawkman - This character has had more than one origin, more than one attempt at revamping and reconciling his origin, more than one secret identity, and more #1 issue relaunches than you would think.
First, he was Carter Hall, an archaeologist - lind of a low-rent Indiana Jones. He was in the Justice Society of the 40's and early 50's. In the 60's the concept was re-thought and replaced with Kator Hol, a space cop from the planet Thanagar, who fights crime in a winged outfit (just like Brian Blessed in Flash Gordon, but not as fun). The Winged Detective was a bit of a jerk and a social dud, but his wife was hot, and this incarnartion became the longest-lasting, if not the most entertaining of the lot. He's the one that appeared in The Superfriends, but he was on his best behavior there.
In the 80's Kator the space cop's background was sharply redefined, with Tim Truman's Hawkworld mini-series. But that story hit the big reset button and gave the character a clean slate - what to do with all that continuity from the past two-and-a-half decades? Imagine that the big bird guy in the Justice League was never there? Well, actually, they imagined that Carter Hall, the Indiana Jones Hawkman, was in the League in it's early days, and the jerk with the hot wife that was in your dad's Hawkman comics was a Thanagarian spy, leading up to the Invasion! storyline, which is as memorable as it is now forgotten by anyone under 32. In the 90's they decided to cop-out and came up with Hawkgod, an entity who was Hawkmen of all Hawkman comics/appearances - seriously, though, this only makes sense if they didn't think anyone was actually reading the comics - and who was reading superhero comics during the collectors bubble in the 90's? Maybe they thought they were on to something.
Within the last decade, we've seen Carter Hall return as a one-and-only Hawkman, and the different origins/concepts/cock-ups co-ordinated under a reincarnation gimmick that seems to settle issues of continuity with anyone still trying to read or follow his adventures - now if only he had any.
The Spectre - This character reminds me of Spawn, only he seemed to use his powers in more offbeat/interesting ways, but nobody seems to like his secret identity, Jim Corrigan, or if his adventures are too downbeat to want to read for any length, even though it seems to work for Daredevil . It doesn't help that the Spectre is now viewed as a corrupt pasasitic entity rather than a simple loveable, huggable anti-hero, if that is possible. (Kevin Levin11 in Ben10 is likeable, even if at the core he's a jerk and initially a mean sonuvabitch). The Spectre became a turducken when he became then-former Green Lantern, then-dead (they get better in comics) Hal Jordan, and later becoming Crispus Allen, a character from Batman: Gotham Central. So now they've got Green Lantern continuity and Batman continuity (and, in some ways, Spawn continuity) stuffed into a Spectre turkey. What you care to try it?
Supergirl and Power Girl - Superman's cousins became turduckens when their orgins were revamped to satisfy short-term thinking. In this case, it was that Superman (and only 1 Superman - sorry, Superboy)should be the sole survivor of the planet Krypton. Eventually, their origins were reintroduced and their status as Superman's cousins was reinstated, but it's very hard to shake off the turducken tag.
Spider-Woman - Mulitple incarnations, multiple origins (in the Jessica Drew's case, three different origins coincided with eachother and a fourth tried to make them all fit) - this is a turducken by proxy.
The Huntress - there are two incarnations of this character: one, Helena Wayne, is the daughter of Batman and Catwoman on Earth 2. The other is Helena Bertinelli, daughter of some mobster and too many Valerie Bertinelli t.v. movies. Most fans are divided on which incarnation they prefer, and despite a notable attempt to split the difference (in Batman: The Brave and The Bold, the character is seen wearing the Helena Wayne costume with the Bertinelli identity) she's an unevenly cooked turducken. I think her best moments came when she served as a Batgirl temp in the late 90s Batman comics, coinciding with Batgirl's appearances on television in The New Adventures of Batman and Superman.
The Punisher - He's been killed off, he's been brought back as a ghost, (de-boned chicken) given a change of ethnicity (he was curious {black}) killed again, appeared in three feature-length turkeys, (de-boned turkey) fought man monsters with giant boobs, made into a zombie (de-boned duck)... this turducken is still not done!
We're all lucky there is no known quantity of Tryptophan in duck meat, or we'd all drop dead. There's more, lots more, like Ghost Rider - but this isn't a personal turducken - we've all had our share of it sometime, but we don't have to try it. We can chose not to have any turduckens in comics, or at least, not sample them.
For this, I am truly thankful.
Now, excuse me while I get the popcorn, jelly beans, toast and pretzels ready...
Thursday, November 17, 2011
Graphic Blandishment Featuring Superman - Part 2
Symmetry...The Strand has copies of Superman: Krisis of The Krimson Kyrptonite for $17.50. It's moments like that where I'm glad I found a nice copy of an old book for a better deal. In this case, it was a well-preserved copy for 5 bucks.
This book is the long middle chapter in a trilogy of sorts - 3 stories in which Mr. Mxyzptlk gets Lex Luthor into his "Mx". Here, we see him create/offer Red Kyrptonite to Lex as a kind of magic lamp - wish a fate upon Superman, and that wish is granted. Lex wishes Superman was his equal. The rock takes away Superman's powers. Unlike Mr. Ebert, I will spoil it for you: the wish is valid on one condition - Lex cannot tell Superman where the rock came from. Lex brags about it to Clark Kent, instead, and Superman gets his powers back.
That sounds awfully simple, right? Cute, right? Good enough to have been adapted into an episode of Superman: The Animated Series, yes? Of Course! Why didn't they do that?
That outline I just described was used as a kind of sandwich for 5 issues of a powerless Superman/Clark Kent riddled with doubt about his fate as a superhero. Aside from Lex and Mxy, we meet a lot of "run-of-the-mill" (quote lifted directly from the script!) villains who are not even 3rd string, and some soap opera about Clark proposing to Lois Lane (she said yes, but it seems the pros wanted her to say no - check the current Superman comics and see for yourself). There's a lot of late-80's continuity abound, but not enough to make you want to go back and check out those issues - it's really like looking at a moment in time - with one exception: Roger Stern's Starman seems likeable enough, and it was nice seeing a seemingly angst-free superhero guest star - his costume could use a redesign, though. Maybe give it the Starman costume Batman wore in that zany story that was reprinted in Batman: The Black Casebook? Just a thought...Oh, and Gangbuster seemed O.K., even though his bailiwick wound-up handed over to Steel in the 90's.
In the end, what works is the iconic stuff: Superman vs. Lex and Mxyzptlk, Round 2. I recall the 1st round had Lex tackle Mxy alone while Superman was in space for the Exile storyline. Round 3 was a story by my favorite Superman team, Jerry Ordway and Tom Grummett, which concluded the trilogy with a play on that familiar logic puzzle involving a choice between three levers and who's telling the truth about picking the right lever. Maybe someday they'll put all three stories together - or all the Modern Age Mxyzptlk stories from the 80's and 90's into one trade. They're very good.
This book has been out-of-print for years but is not too hard to find - I think the final fight between Mxy and Superman loosely inspired the chase sequence in the episode of the animated series that featured Gilbert Gottfried as the voice of Mxyzptlk. The idea of having the imp re-introduce old concepts in modern continuity, as well as offering power to other DC villains pretty likely inspired the Emperor Joker storyline as well. There's also one of the best inside jokes I've ever read in a superhero comic, courtesy of John Byrne.
In the past few weeks, I've reviewed two books collecting stories that featured Kryptonite. Both were very mixed, or "Mxyd" bags. Did DC get around to trying "Best 1 Out of 3"? Yes, Yes, they did...
This book is the long middle chapter in a trilogy of sorts - 3 stories in which Mr. Mxyzptlk gets Lex Luthor into his "Mx". Here, we see him create/offer Red Kyrptonite to Lex as a kind of magic lamp - wish a fate upon Superman, and that wish is granted. Lex wishes Superman was his equal. The rock takes away Superman's powers. Unlike Mr. Ebert, I will spoil it for you: the wish is valid on one condition - Lex cannot tell Superman where the rock came from. Lex brags about it to Clark Kent, instead, and Superman gets his powers back.
That sounds awfully simple, right? Cute, right? Good enough to have been adapted into an episode of Superman: The Animated Series, yes? Of Course! Why didn't they do that?
That outline I just described was used as a kind of sandwich for 5 issues of a powerless Superman/Clark Kent riddled with doubt about his fate as a superhero. Aside from Lex and Mxy, we meet a lot of "run-of-the-mill" (quote lifted directly from the script!) villains who are not even 3rd string, and some soap opera about Clark proposing to Lois Lane (she said yes, but it seems the pros wanted her to say no - check the current Superman comics and see for yourself). There's a lot of late-80's continuity abound, but not enough to make you want to go back and check out those issues - it's really like looking at a moment in time - with one exception: Roger Stern's Starman seems likeable enough, and it was nice seeing a seemingly angst-free superhero guest star - his costume could use a redesign, though. Maybe give it the Starman costume Batman wore in that zany story that was reprinted in Batman: The Black Casebook? Just a thought...Oh, and Gangbuster seemed O.K., even though his bailiwick wound-up handed over to Steel in the 90's.
In the end, what works is the iconic stuff: Superman vs. Lex and Mxyzptlk, Round 2. I recall the 1st round had Lex tackle Mxy alone while Superman was in space for the Exile storyline. Round 3 was a story by my favorite Superman team, Jerry Ordway and Tom Grummett, which concluded the trilogy with a play on that familiar logic puzzle involving a choice between three levers and who's telling the truth about picking the right lever. Maybe someday they'll put all three stories together - or all the Modern Age Mxyzptlk stories from the 80's and 90's into one trade. They're very good.
This book has been out-of-print for years but is not too hard to find - I think the final fight between Mxy and Superman loosely inspired the chase sequence in the episode of the animated series that featured Gilbert Gottfried as the voice of Mxyzptlk. The idea of having the imp re-introduce old concepts in modern continuity, as well as offering power to other DC villains pretty likely inspired the Emperor Joker storyline as well. There's also one of the best inside jokes I've ever read in a superhero comic, courtesy of John Byrne.
In the past few weeks, I've reviewed two books collecting stories that featured Kryptonite. Both were very mixed, or "Mxyd" bags. Did DC get around to trying "Best 1 Out of 3"? Yes, Yes, they did...
Thursday, November 10, 2011
No $#!+ Sherlock! pt.2 - Comic Book Rehab issue 2 of 6
I recently returned a copy of The Rivals of Sherlock Holmes DVD at the library. Now, when you think of "rivals", you think Hercule Poirot, Ellery Queen, Philo Vance, Nero Wolfe - characters that were published within Doyle's lifetime and managed to stick around, more or less. If you're under 40, maybe your parents were Ellery Queen fans and have a few beat-up books squirreled away someplace, or have seen the eponymous mystery magazine or watched Castle and Murder, She Wrote without realizing that you're watching Ellery Queen in all but name only. If you're a Poirot or Wolfe fan, those books are easy to find. Philo Vance novels popped in and out of print over the past few decades and films featuring Basil Rathbone, Errol Flynn and William Powell as "Needs-a-kick-in-the-pants-Vance" appear on Turner Classic Movies once in a while.
None of those guys appeared in this collection. What's left is very interesting - a collection of detectives with gimmicks and M.O.'s that resemble a distillation of qualities we associate with Sherlock Holmes:
Profound knowledge of Forensic Science - Dr. Thorndyke
Streetwise, with an eye for opportunity - Dorrington
Pragmatic and busnesslike in dealing with clients - Martin Hewitt
Brilliant Amateur Gentleman Slueth - Dixon Druce
Flashy Bravado - Max Carrados
Gothic settings and confronting the supernatural - Thomas Carnacki
Flair with Disguises - Romney Pringle
Quarrels with the police - Lady Molly
Inside knowledge of the Underworld - Simon Carne
Eye for detail on a specific subject - Bernard Sutton
Most of the characters had one episode devoted to them. Some, like Martin Hewitt and Dorrington, had two or three to make up a full 13 episodes. They were run-of-the-mill stories, and not really interesting. Unfortunatley, I wish they had chosen to adapt more Carnacki stories - I thought that episode worked best - it could've been made now, only with better special effects.
As Carnacki, Donald Pleasance seems slightly more effective than Dr. Loomis was at chasing Michael Myers, but at least Carnacki has neat gadgets, like the electric pentangle, and does not bore us with psychobabble. There were only six stories written with this original ghostbuster, with a number of pastiches that followed by other writers. Best of all, Carnacki appears in the League of Extraordinary Gentlemen Comics.
DO YOU UNDERSTAND WHAT THAT MEANS! For the first time, an obscure character that I'm actually interested in seeing more of has an important role in that comic! Now I want to go look for the stories featuring him and not wonder why Moore seems so dead-set against Sherlock or Dracula appearing in his funnybook. Yes!
Sadly, that one episode is the only onscreen adaptation of a Carnacki story. The summaries offered on Wikipedia hint that at least two more stories could've been filmed under the given budget. Another season of the show was filmed with a different crowd of would-be rivals, and I have yet to see it, but I have to be honest and say the BEST thing about the whole series was the title sequence. It's very catchy.
None of those guys appeared in this collection. What's left is very interesting - a collection of detectives with gimmicks and M.O.'s that resemble a distillation of qualities we associate with Sherlock Holmes:
Profound knowledge of Forensic Science - Dr. Thorndyke
Streetwise, with an eye for opportunity - Dorrington
Pragmatic and busnesslike in dealing with clients - Martin Hewitt
Brilliant Amateur Gentleman Slueth - Dixon Druce
Flashy Bravado - Max Carrados
Gothic settings and confronting the supernatural - Thomas Carnacki
Flair with Disguises - Romney Pringle
Quarrels with the police - Lady Molly
Inside knowledge of the Underworld - Simon Carne
Eye for detail on a specific subject - Bernard Sutton
Most of the characters had one episode devoted to them. Some, like Martin Hewitt and Dorrington, had two or three to make up a full 13 episodes. They were run-of-the-mill stories, and not really interesting. Unfortunatley, I wish they had chosen to adapt more Carnacki stories - I thought that episode worked best - it could've been made now, only with better special effects.
As Carnacki, Donald Pleasance seems slightly more effective than Dr. Loomis was at chasing Michael Myers, but at least Carnacki has neat gadgets, like the electric pentangle, and does not bore us with psychobabble. There were only six stories written with this original ghostbuster, with a number of pastiches that followed by other writers. Best of all, Carnacki appears in the League of Extraordinary Gentlemen Comics.
DO YOU UNDERSTAND WHAT THAT MEANS! For the first time, an obscure character that I'm actually interested in seeing more of has an important role in that comic! Now I want to go look for the stories featuring him and not wonder why Moore seems so dead-set against Sherlock or Dracula appearing in his funnybook. Yes!
Sadly, that one episode is the only onscreen adaptation of a Carnacki story. The summaries offered on Wikipedia hint that at least two more stories could've been filmed under the given budget. Another season of the show was filmed with a different crowd of would-be rivals, and I have yet to see it, but I have to be honest and say the BEST thing about the whole series was the title sequence. It's very catchy.
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